Opernhaus Bratislava/Pressburg - Eugen Onegin

Tatiana lives in the countryside and knows the big world only from books. However, the world appears in their family mansion in the form of the bon vivant Eugene Onegin, who messes with Tatiana's head. Onegin arrogantly rejects her feelings, breaks Tatiana's heart, and after a confrontation, shoots his friend Lensky in a duel. Since then, Onegin has been running away from himself as a “useless man”. After many years, he attempts to establish a relationship with Tatiana, who has become a wealthy woman through her marriage to Prince Gremin. Her rejection makes him even more painfully aware of the emptiness of his life.
 
In 1879, Piotr Ilyich Tchaikovsky's adaptation of Pushkin's verse novel Eugene Onegin was a major success in the history of opera. Tchaikovsky's sincere preoccupation with Tatiana's unrequited love led to the creation of a unique musical expression that consciously sought to distance itself from the operatic pathos of his time. He outlined the unfulfilled desires of a society tired of itself in his “lyrical scenes“ with a subtle psychological sense.
 
The production is suitable for audiences aged 12 and over.

program

Eugen Onegin
Autor: Pjotr Iljitsch Tschaikowski
Geschichte voller Sehnsucht, Hochmut und verlorener Liebe in der ikonischen Opernklassik
Lyrische Szenen in drei Akten in russischer Sprache, mit slowakischen und englischen Übertiteln

Place

The Slovak National Theatre is the second oldest Slovak professional theatre. It has 3 ensembles (drama, opera and ballet). It was founded in 1920 after the creation of Czechoslovakia as a cooperative and became a state-run company in 1945. Between 1920 and 1945, there was also a musical ensemble. The Slovak National Theatre has represented Slovak culture on its numerous tours abroad.

It was created and, in the 1920s, also run by Czech artists (e.g. Oskar Nedbal, director during 1923-1930). The first performance was the Czech opera Hubička by Bedřich Smetana on March 1, 1920. The ensembles were Slovakized only gradually. In 1932, the drama ensemble split into the SNT Slovak Drama Company led by Janko Borodáč, and into the SNT Czech Drama Company, led by V. Šulc. The Czech Drama Company ceased to operate when it was forced to leave Slovakia in 1938. Since then, the drama ensemble has performed in Slovak only, but in the opera ensemble there were Czech artists even after 1945. In recent years, operas have been presented in their original languages.

Initially, all 3 ensembles were active at the old Slovak National Theatre building. From 1955 to early 2007, the drama company performed at the P. O. Hviezdoslav Theatre and from 1962 to (?)2006 also at a chamber theatre called Malá scéna SND (SNT Small Stage). Since 2007, the ensembles perform only at the old Slovak National Theatre building and the new Slovak National Theatre building opened in April, 2007.

The drama company was shaped by the directors Janko Borodáč, F. Hoffman, J. Jamnický, J.Budský, T. Rakovský, K. I. Zachary, P. Haspra, M. Pietor and the current one – Dušan Jamrich.

The opera ensemble was led by conductors such as Oskar Nedbal, K. Nedbal, J. Vincourek and T. Frešo, and directors including V. Šulc and M. Wasserbauer. The opera became known abroad under the leadership of Czech conductor Oskar Nedbal, who also introduced the first Slovak operas of Jozef Levoslav Bella and V. Figuš Bystrý, and under K. Nedbal, who improved the dramma programme. A great boom occurred after WWII. The SNT witnessed the rise of modern Slovak opera by Eugen Suchoň, Ján Cikker, Alexander Moyzes, Tibor Andrašovan, T. Frešo, and many others. Many singers from the SNT are famous abroad, e.g. Edita Grúberová, Lucia Popp, Peter Dvorský, R. Petrák, S. Kopčák, M. Hajóssyová, E. Jenisová, J. Galla, Jozef Kundlák, and many others.

The ballet ensemble has grown from a small group in 1920 to a huge ensemble today.